Downsizing
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Downsizing

Little great life (Downsizing) began as an idea that the brother of Jim Taylor (friend and habitual collaborator of the director Alexander Payne) proposed to the filmmakers: what would happen if there were an alternate reality where people only measured 12 cm? Soon, developing what this world of small people would look like became an exciting project for Payne, who, along with Taylor, worked on the script for more than a decade. Finally, after testing his success with independent projects such as Los descenientes and Entre copas, Payne received the green light to carry out his first project with sci-fi dyes, as well as his first high-budget film under the spotlight of Hollywood The Catcher Was a Spy. Unfortunately, the result is like that first fleeting conversation they had with Jim Taylor’s brother: a spectacular premise that lacked a body and lost some of its magic in execution.

When a group of Norwegian scientists reveals that they have created a solution to combat the problem of overpopulation and climate change by reducing the size of people, fewer resources are used – an Omaha couple named Paul (Matt Damon) and Audrey (Kristen Wiig) Safranek begins to wonder if this could be the solution to his problems. Plagued by debts and immersed in a monotonous life, the Safranek discover that the little money they have is equivalent to being a millionaire in Leisureland, one of the cities inhabited by small people. Determined to change their lives, Paul and Audrey decide to undergo the process of reduction and embark on a new adventure An Evening with Beverly Luff Linn.

Like the rest of his filmography, the aspect that the director decides to highlight in this film is social satire and dramedy, and not the fantastic elements of his universe. At the beginning, the film successfully introduces us to this world by presenting us with all the details of the peculiar and fascinating reduction process. The Happy Prince Throughout this sequence, the film has the audience in its pocket. However, when the film offers its first turn of the screw, which involves a loss for Paul, the narrative begins to go in a tailspin, losing little by little that expectation that he manages to generate with his premise.

Duration: 135 min

Release:

IMDb: 5.7

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